• Christopher Butcher on the issue of publishers selling books at conventions and the Beguiling's attitude to same.

• The aptly-named John Law writes about comics downloading for the Niagara Falls Review, including some interviews with local retailers Netral Zone and Mostly Comics and cartoonist Karl Kerschl.

• Dave Sim takes his Glamourpuss messageboard tour on the road and has some long exchanges with U.S. comic book writer, mother, and former hairstylist Gail Simone at the Sequential Tart boards.

• Tom Spurgeon reviews Therefore Repent! at Comics Reporter.

• Also at Comics Reporter, an interview that Montreal cartoonist Bernie Mireault had with himself.

• If you know your Canadian history, you know that one of Brian Mulroney's first political acts involved a campaign to ban horror and crime comic books in this country. Newly declassified British documents reveal that Winston Churchill discussed the same issue as one of his last political acts.

• The Montreal Gazette gets feedback on changes to its comics page.

Labels: comic strips, comics history, floppies, graphic novels, interviews, interweb, reviews

Labels: floppies, interweb, pod casts, political cartooning

• In anticipation of the concluding chapter of Y: The Last Man, Pia Guerra, who provides the beautiful artwork for that series, takes webreaders on a tour of the Dr. Who memorabilia-laden studio she shares with writer Ian Boothby. She is also interviewed by Newsarama's Zack Smith.

• Oshawa's Adam Prosser pens the first review of Dave Sim's Glamourpuss I've seen. Elsewhere, Sim himself took to the Comics Journal messageboard to field questions and promote his new comic book series. As Sim has taken pains to reiterate, he is using a computer located at LOOKIN' FOR HEROES here at 93 Ontario St. S. in Kitchener (one block away from the defunct Now and Then Books.

• Canadian cartoonist Takeshi Miyazawa (Spider-Man Loves Mary Jane) is interviewed about working as a mangaka in Japan and the differences between North American and Japanese comics editing.

• Magazine writer, editor and publisher John Macfarlane retired last week. Over the years, Macfarlane helmed such Canadian institutions as Toronto Life, Saturday Night, and Weekend magazine (home of cartoonist Doug Wright in the 1970s). The National Post's Katherine Govier has a few anecdotes.

Labels: floppies, interviews, interweb, manga, publishing

• More on Ezra Levant's cartoon case is kangaroo court, this time from A.M Lamey (who shares a blog with freedom fighter Jeet Heer).

• Herve St-Louis has an excellent essay about the general suckiness of comic book publisher websites, especially when considered from the point of view of journalists and bloggers.

• Cartoonist Sarah Lazarovic is one of the panelists reviewing the Persepolis film for the National Post.

• Xtra West reports that Little Sister's Book and Art Emporium is for sale. Long plagued by Canada Customs, the store has been fighting to freely import books and comics, regardless of sexual content. Here's hoping the new owners continue the good fight:

News that Deva and Smyth are relinquishing ownership of Little Sister's is being met with shock and sadness, but also with a sense of profound gratitude for the leadership role they've assumed on issues that resonate with the queer community. Issues like spearheading the response to Aaron Webster's murder in 2001; community policing; housing issues in the West End; and a community resource and gathering space.

But the store and its owners and manager are probably best known for their decades-long battle with Canada Customs (now Canada Border Services Agency) which began seizing their shipments in 1984 on the grounds that their gay and lesbian imports were obscene.

With its shelves sitting half-empty and shipments arriving in a tattered state, Little Sister's took Customs to court for the first time in 1987 for unfairly targeting the community's material.

Labels: censorship, interweb

Labels: comics retailers, events, graphic novels, interweb, links, misc, reviews

Labels: interweb, misc

Labels: comics on tv, interweb

Labels: interweb, pod casts, webcomics

And, more seriously, a mythic approach or a different form can allow for a whole new way of understanding a subject --Chester Brown's Louis Riel graphic novel, for example, is way more accessible than dense and vaguely obscurantist Canadian histories on the same topic.

I'm not advocating elevating comics to high art. I've been around long enough to know that being canonized isn't all it's cracked up to be. But I do think that high art has a lot more in common with the gutter than with respectable, middlebrow art. Van Gogh sold one painting in his life and was considered a crappy painter, so crappy he had to take his ass to the sticks. Herman Melville's novels were such a failure that he quit writing them. Emily Dickinson? Shut-in. Nijinsky? Booed off the very stage he was humping fifteen minutes into Stravinsky's "Rite of Spring." And as with James Tiptree, jr., there's a passel of English Victorian novelists with male pseudonyms, including all three Brontes. High art is often disdained as something a child could do, as mocking the audience, as degenerate, as gutter trash. I guess that's part of why the phrase, "gutter culture" makes me a little itchy, even though I know here at the Cultural Gutter we're reclaiming it.

Labels: interweb, manifestos