Labels: graphic novels, interviews, memoirs, publishing

Unfortunately due to the content I am going to have to respectfully decline. The reason is we have a lot of long standing clients who are religious organizations. They are in our facilities all of the time and cannot risk having this content out in the open during production. Please understand that this is not a slight against your artwork or the message that you are trying to convey to your audience.
I wish you all the best and I hope you can understand our position.

The only thing I understand is that you're discriminating against me for my sexuality. You're also attempting to mask your discrimination by hiding behind your "religious" clientele. This is your company's decision, not theirs.

I hope you enjoyed my website and will check back for updates. The content of your letter will be appearing on it very soon, as a warning to any other potential clients.

Labels: Adam Bourret, censorship, printing, publishing, self-publishing, Toronto

Labels: floppies, publishing, upcoming

My latest torontoist.com inverview,
this one with Conundrum Press publisher Andy Brown!

Labels: Andy Brown, books.torontoist, comics, Conundrum Press, interviews, Montreal, publishing, Quebec

Labels: comic strips, publishing

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Labels: graphic novels, new books, publishing

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Labels: looking forward, new books, publishing

We just launched the brand new Montreal Comic-Con website - www.montrealcomiccon.com. Please feel free to send us your comments and/or suggestions about it. Any comments and/or suggestions regarding the event itself are also welcomed.

See you in September!

Oscar, Elizabeth and Alex :)

We've just launched the mini-site for Sword of My Mouth, making the first two issues (and commentary from me and Shannon) available for subscribers and people who've pre-ordered the graphic novel. It's the first third (48 pages) of the book so far, and we'll be adding a chapter every other month until we launch the complete graphic novel edition at next year's Toronto Comic Arts Festival.

One of the things we did differently with this book was research, and so I'll take this opportunity to write a bit about that...

Labels: conventions, links, Montreal, new books, Ontario, publishing, Quebec, Toronto, webcomics

Labels: British Columbia, C-List, comic jams, conventions, international, interviews, links, new books, Ontario, publishing, Quebec, social ink, Toronto, Vancouver, webcomics

Labels: canadian superheroes, comics history, floppies, new books, publishing

Labels: graphic novels, Montreal, new books, publishing

Labels: graphic novels, new books, publishing

Labels: bestsellers, comic strips, comics retailers, graphic novels, manga, publishing, U.S. superhero franchises

Labels: events, graphic novels, publishing, tcaf, TCAF09

Labels: graphic novels, mini-comics, publishing, TCAF09

The first major new graphic novel by Seth in 3 years.

Celebrated cartoonist and New Yorker cover artist Seth gives us the fictional life of George Sprott. On the surface George seems a charming, foolish, old man --but who is he? And who was he? Told as a patchwork tale, we come to know George, piece by piece, in a series of "interviews," flashbacks, and personal reminiscences. George Sprott is a story about time, identity, loss, and the persistence of memory. Though, ultimately, this is the story of a man's death, Seth leavens it with humor and restraint. Originally serialized in The New York Times Magazine, this greatly expanded and "re-mastered”\" version is George Sprott's first publication as a complete work.

Labels: graphic novels, publishing, TCAF09

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Labels: comic strips, publishing, Toronto, webcomics

The first of a historic two-volume set, Doug Wright: Canada's Master Cartoonist presents the first-ever comprehensive look at the life and career of one of the most-read and best-loved cartoonists of the 1960s. Compiled in cooperation with Wright's family, it draws from thousands of pieces of art, pictures, letters, and the artist's own journals, to provide a fully rounded view of Doug Wright, both as a cartoonist and as an individual.

Labels: comic strips, comics history, publishing

Labels: graphic novels, manga, Ontario, publishing

Labels: graphic novels, international, publishing, webcomics

Labels: floppies, graphic novels, publishing, Vancouver

Labels: art books, bd, graphic novels, publishing, Quebec, U.S. superhero franchises

"the company sent retailers across the country about 4,000 copies of a promotional comic book it created, called The Literates. The comic features the exploits of bookselling superheroes Spine and Paige, who endeavour – in the first issue, at any rate – to convince a reader to purchase American author Christopher Moore's Fool. [...] The eight-page pamphlet has the look and feel of a real comic, and it comes in a protective plastic sleeve with cardboard backing, just like at a real comic book store."

"prosaically called Canadian Booksellers Association Summer Conference 2009, will be held June 20-21 in a hotel on Toronto's downtown waterfront. Billed as "stronger, smarter, shorter and sweeter" than BookExpo, it promises a potpourri of events and opportunities - professional development sessions, an awards ceremony, panel discussions with publishing executives, author presentations, previews of marketing, promotion and advertising plans."

Labels: C-List, conventions, events, festivals, links, new books, publishing, reviews

Labels: anthologies, C-List, floppies, graphic novels, international, publishing

Sean Craig, Brad Mackay, Globe and Mail Update
March 31, 2009

OTTAWA/TORONTO ---Prime Minister Stephen Harper and Ontario Premier Dalton McGuinty have announced a $50-million aid package for Canada's struggling comic book industry.

They said Canada's bailout, which they called a "short term loan," is proportionate to the operations of Canadian retailers and publishers, which are estimated to be about 20 per cent of North American production.

The two leaders announced the package on Tuesday morning at a joint press conference in Toronto.

Ontario will contribute about $10 million to the package and Ottawa will provide $40 million.

Harper told reporters the aid package "is not a blank cheque" and that he wants to see comic book stores, distributors, publishers, and cartoonists work together to restructure their operations.

"All stakeholders are going have to be part of the solution," Harper said.

The aid package will also:

-give loan access to small retailers, start-up publishers and more established publishers and other businesses that are part of the general comic book industry
-give additional tax breaks to those directly involved in the production of comics in Canada, including cartoonists, writers, artists, and inkers (but not colourists, letterers or editors)
-create a Federal program for archiving and accessing webcomics and make their production subject to funding from the new technologies branch of Telefilm Canada

In the U.S., Marvel, Darkhorse and Fantagraphics had said they need credit and loans as they restructure their companies.

Meanwhile, DC has said it does not need immediate help, but had asked for a line of credit.

Harper said the aid package was part of a "holistic approach" to save an industry that helps provide hundreds of thousands of jobs to Canadians.

He said governments need to act, especially in the wake of the financial sector economic crisis. The publishing, and especially the comics industry, has been particularly hard hit by the credit crunch, which affected their producers' access to loans and their consumers discretionary purchasing power.

A comics industry failure would have ripple affects well beyond Ontario, the centre of Canada's comics producing and consumption sector, Harper said.

"This is a huge problem that faces the Ontario economy and the Canadian economy by extension and it is critical that we work together," he said.

McGuinty said the economic crisis has created the need for bold action.

"These are extraordinary circumstances that require extraordinary measures," he said.

Today's announcement came on the heels of the proposed US $500 million in aid to comics publishers and retailers that U.S. President Barack Obama announced on Friday.

Ontario NDP leader Howard Hampton said the loan package should suffice for now, but it would have been more useful had it been handed down earlier.

As credit has tightened, it has become harder for every part of the industry to function, said Hampton.

Displaying an understanding of the specifics of the market, he added that everyone from "the Wednesday crowd" to the publishers and distributors themselves, need access to credit in order to keep the industry running.

"We saw that happening months ago," he said.

If the money had been handed down at that time, "it would have made an even bigger difference," Hampton said.

Comics industry analyst Jeet Heer estimated that the combined loan packages from Canada and the U.S. would help keep the struggling North American comics industry afloat only for the next quarter or so.

"It probably only buys them three months or four months where they can get their ducks in order ... and hopefully come up with a plan to get everything straightened out so that they can survive," he told The Globe and Mail on Tuesday evening.

Diamond Distributors Canadian spokesperson Max Douglas said the Canadian response will provide a "great sigh of relief" across the industry, noting that the loans will help his company complete a transition it began in 2005. He said Diamond is moving towards creating more streamlined distribution systems, using solar-powered robots, and moving away from "that same old adolescent superhero crap we've been pushing for decades."

Douglas added that the bailouts show a "great signal of stability" for the industry.

Drawn and Quarterly publisher Chris Oliveros told The Globe the aid package is good for Ontario, Quebec and the country.

He said he's pleased that the bailout includes commitments by the government to develop young talent at the same time that it makes it possible to translate "even more painfully arty, twee, puzzling and metaphysically troubling graphic novels by cartoonists from Iceland, Slovenia, and, of course, France."

"I think the commitment of maintaining levels of quality and accessibility for emerging producers in Canada at the existing level is a fairly good commitment," said Douglas.

"As long as we maintain our share in the Canadian market, which is part of this loan, I think we'll be part of the future investment and will continue to work with the companies."

Oliveros indicated that D+Q's plans are to continue production at the current level.

"Our plans for the Fall publishing season right at the moment are to see us continue on at that (20 per cent) level, and this type of support, as we work out the details, will give us the ability to continue on roughly at that level," he said. Oliveros added that one side-benefit of the bailout is a contract D+Q has signed with the Prime Minister to publish a graphic novel history of hockey, written by Harper and illustrated by artist Chester Brown. "It's sort of a libertarian-family values-law-and-order take on Canada's favourite past-time."

Liberal leader Michael Ignatieff criticized the deal, noting that he has a new book coming out as well that he thinks would benefit from a graphic treatment. "It's sort of a literary justification for torture and the War in Afghanistan," he added. "I think maybe Julie Doucet or Michel Rabagliati would be good choices as illustrators."

Meanwhile, Douglas took issue with critics of his monopoly-like distributor who have said they make too much money -- some quoting the questionable figure of more than $1 billion per year, which has never filtered down to Canadian tax coffers and has been debunked by some industry analysts.

He said "that based on our estimates" Canadian consumers are as comics crazy any other North American or foreign comics market.

"It's a little bit frustrating to concentrate on distributors," he said.

He also reminded critics that only two years ago, Canadians were paying almost twice as much as their U.S. neighbours for the same comics and graphic novels, not to mention action figures and Buffy the Vampire Slayer limited edition dvds and Battlestar Galactica scale models.

He said he wants Ottawa to "concentrate on the root cause of the problem. We still think the root cause of the problem is too much manga and art comics" he said.

Peter Birkemoe, owner of The Beguiling in Toronto, called the Canadian aid package "good news for cartoonists and their families."

But he also said he was concerned that Harper told reporters that "everyone" will have to make concessions.

"Labour costs are not the problem," he told The Globe.

But Birkemoe noted that the current industry leadership will have to decide how to proceed to help make the Canadian comics industry economically viable in the years ahead.

A spokesman for Warner Brothers, which owns DC Comics, said, "There will be job losses ... it's something that is going to happen. We kind of hoped the Watchmen movie would help get us through this, but response has bee tepid: it kinda sucked and everyone was really freaked out by that giant blue penis."

But he added, it's better to have some job losses rather than "not having the industry at all. We are just going to have to reprint more Siegel and Shuster and Jack Kirby comics since we don't have to pay royalties for those."

Heer said it was inevitable that cartoonists would have to make concessions, no matter how painful they might be.

"If they don't make serious concessions, then Marvel, DC, Darkhorse, and even Fantagraphics and D+Q will continue to lose market share to manga, video games, and porn and they'll lose their jobs anyway," he said.

He said it is likely cartoonists will be asked to make concessions on selected perk benefits -- such as food and shelter -- before they are asked to increase page production.

Labels: dollar, graphic novels, Ottawa, publishing, Toronto, trade

Labels: events, Ontario, printing, publishing, sale, small press, tcaf

Labels: graphic novels, publishing

Labels: cartoon reportage, publishing

The don't just write about comics on the internet, y'know.

Labels: publishing, zines

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Labels: book launches, graphic novels, international, publishing

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Labels: anthologies, bd, publishing, Quebec, zines

ULTIMATE SPIDER-MAN artist Stuart Immonen teams up with HELLCAT writer Kathryn Immonen for a fascinating original graphic novel! NABAYT tracks the alarming failures of paranoid urbanites, murderous waitstaff, heart-broken ambulance drivers, mariachi bands, talking cats and dogs, people who like cake and many who wield knives for a variety of purposes. This full-color printing contains all 52 strips from the Immonens' year-long web project along with two new strips and fresh, revealing bios in a perfect-bound deluxe edition hardcover designed by the House of Immonen. A gorgeous collection in a handsome limited edition!

Labels: graphic novels, publishing, webcomics

Labels: humour, publishing