03.Nov.2011 Louis Riel Voted Into Canada Reads Top 10

Chester Brown’s 2004 graphic history of the life of Louis Riel and the Red River Rebellion has made the final cut for the CBC Radio Canada Reads literary competition after several rounds of popular internet voting. The book joins 9 other works of non-fiction in the annual event that pits a celebrity panel against each other and their chosen books. The event, to be broadcast over several weeks in early 2012, usually serves to promote book sales on all the nominated titles but especially boosts the profile of the winner, chosen by the celebrity panel after a cut-throat “Survivor-style” winnowing. Brown’s book is only the second comics work to be included in the contest. Last year, Jeff Lemire’s Essex Novel graphic novel was eliminated early amid much controversy.

The nominees are:

The Boy in the Moon by Ian Brown

Cockeyed by Ryan Knighton

The Game by Ken Dryden

Louis Riel by Chester Brown

On a Cold Road by Dave Bidini

Paris 1919 by Margaret MacMillan

Prisoner of Tehran by Marina Nemat

Shake Hands with the Devil by Roméo Dallaire

Something Fierce by Carmen Aguirr

The Tiger by John Vaillant

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  • [...] It’s a trifle unfair, you might mutter, to award a publisher and not one of its individual authors the newsmaker trophy, but when I really sat down to think about it, looking over the past twelve months of comics coverage on Sequential, around the web, in print and other media, no other entity really dominated the consciousness of the Canadian comics imagi-nation. From the announcement of a new Seth book that kicked off the new year to the publisher’s recent crowing about six out of its twenty-four 2011 titles (one-quarter of its output) ending up on the New York Times graphic novel bestseller list, D+Q had a banner year in terms of publicity, corresponding sales, and public engagement. Sure, any one of those bestsellers deserves special consideration this year, and any one of their creators would make for a fascinating profile here, but whether it’s the mega crossover success of Kate Beaton, Dan Clowes’s canonization, or Chester Brown’s massive signing lines despite a controversial book about prostitution and Libertarian candidacy, Drawn and Quarterly’s quality control and tireless, Napoleonic-quality publicity efforts are the common thread behind these successes, almost above and beyond the skills and personalities of individual artists. Even tangential stories this year, like Seth’s Harbourfront prize win or the announcement of Conundrum Press signing Michel Rabagliati, are in some part D+Q stories. Seth, Rabagliati, and Conundrum had good years, sure, but D+Q had a better one. The Canada Reads horse race? Jeff Lemire got booted off the island but still sold books; Chester Brown and D+Q got a boost for Louis Riel, without it making it to the island at all. [...]

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